For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

The ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors.

The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity. Easy operation, robust build quality, new accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

KEY FEATURES

More dynamic range, contrast, and sensitivity

ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects.

With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35 is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before.

REVEAL Color Science

ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Color Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new color engine for more accurate color reproduction, a new wide gamut color space for faster grading, new LogC4 encoding to contain the increased dynamic range, and new LogC4 LUTs (Look Up Tables) for improved color fidelity.

While bringing out the best of the ALEXA 35’s new sensor, REVEAL Color Science is also backwards compatible. ARRIRAW footage captured by ALEXA LF and Mini LF cameras can be processed with REVEAL Color Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post.

Enhanced creative control

With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.

ARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock.  

Easy operation and new accessory range

ALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Color Match, pre-recording capability, and a slew of usability improvements such as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine.

ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera’s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any shooting situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration.

ALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of-charge standalone apps like the iPhone/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder.

Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates inmind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.

To learn more about ALEXA 35, visit www.arri.com/alexa35

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

The ALEXA camera system is known for its exceptional image performance that is simple to operate, reliable in even the most extreme environments and versatile enough to cover a wide range of workflow and budget requirements.

Based on this proven technology is the ALEXA SXT W: It has a built-in video transmitter which makes the camera smaller and lighter than it would be with an external transmitter. It also means fewer cables around the camera and fewer associated problems, since cable failure is by far the most common technical hitch on set. Camera setup and power-up are quicker, and productions are able to move faster.

KEY FEATURES

Best overall image quality

Efficient and versatile workflows

Simple and safe operation

Open, future-proof architecture

Integrated wireless video, ARRI ECS and WiFi radios

Flexible monitoring options: 4 independent outputs (EVF, Mon Out 1-3)

Independent color space, surround view and look

ARRI Wireless Video System

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

The perfect tool for your job - is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps. 

It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

Pairing streamlined, dependable multicamera setups and rich, natural Super35 imaging, the ARRI AMIRA Live Premium Set delivers an efficient, cinematic workflow for your live broadcast needs.

This Premium Set adds the PL LDS lens mount and the Premium License Key to the standard AMIRA Live Camera Set. Using the same ALEV III Super35 sensor as the rest of the AMIRA line, the AMIRA Live ticks off cine-style boxes like shallow depth of field, high dynamic range, the ARRI Look Library, and 3D LUT support. At the same time, its cable-free configuration with the separately available 1800 fiber back aligns the AMIRA with more typical broadcast-style cameras, eliminating the dreaded accidental disconnect with potential port damage and speeding your build time.

Created specifically for multicamera use, the AMIRA includes the Premium, Advanced, UHD 4K, and ARRI Look Library License Keys to help match your AMIRA or ALEXA footage.

Shared AMIRA functions include a 14+-stop dynamic range, an EI range of 160 to 3200, motorized ND filters, CFast 2.0 recording, and a pre-record buffer. This camera’s versatile recording options include up to 2.8K ARRIRAW, UHD 4K60 ProRes, and from 1 to 200 fps in 2K and HD ProRes.

The Premium license enables ProRes 4444, ProRes 4444 XQ, and 2K (2048 x 1152) recording in addition to the Advanced level’s ProRes 422 (HQ) format. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. In addition to the PL lens mount included with this set, you can choose from separately available LDS PL, Canon EF, and B4 mounts.

With SUP 6.1, ARRI introduces enhanced multicamera functions like an always-welcomed faster boot-up time, improved sharpness and noise reduction, user-button intercom talkback for easier shoulder-mounted communication, and a green tally viewfinder function. And in a boon for shooters used to cine-style capture, SUP 6.1 also eliminates the need for a separate box for direct RCP iris control of cine-style lenses when using RF FIZ motors.

This set includes the following components:

• KK.0038511 AMIRA Live Camera Body
• 10.0001095 AMIRA Premium Lincense Key
• 10.0003723 4K UHD Licence Key
• 10.0014641 AMIRA ARRI Look Library Key
• K2.0001107 PL LDS LEns Mount
• Camera Handle
• Cross Pipe

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini LF (LPL) camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode.

The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.

The ALEXA Mini LF is designed with ARRI’s LPL lens mount that has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

Cinematographers strive for a cinematic look; producers seek efficient and flexible workflows. When it comes to live, multi-camera productions, these requirements can conflict. ARRI’s response is a simple-to-integrate fiber transmission system developed in partnership with specialist firm DTS.

The combination of ARRI cameras and the 1800 fiber backend delivers a cinematic aesthetic with the efficiency of a live transmission system.

Customers can record in-camera for post, finishing, or slow-motion effects, while simultaneously transmitting live HD or UHD/4K signals to a broadcast facility, stage displays, or social media channel, using standard production environments like OB vans or studios.

The ARRI Multicam System knits a variety of components together to give program-makers flexibility tailored to their needs. 

AMIRA Multicam Setup

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

From the introduction of metal halide discharge lamps in the 1970’s, ballasts have been an integral part of the ARRI Lighting family. Since then, the range has developed into the reliable, robust and efficient components recognised worldwide as the industry standard for film, theatre and events.

ARRI offers a great range of ballasts for mains, battery operations as well as 19" rack-mount electronic ballasts for ARRI Event Systems. All electronic ballasts for mains can be divided in three different categories: 

EB MAX Range: 
MAX Technology - MAX Performance!
This range of ballasts combines the newest state-of-the-art features.

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

ARRI's versatile daylight products meet the diverse needs of the lighting profession for projects of any size and in situations where the highest light output is required. Proven by decades of use on location and in the studio to perform reliably in all weather and climate conditions, ARRI lights are designed and built by professionals for professionals.

ARRI Daylight series is available in different models, You can check them clicking on the links below:

M-Series      True Blue D      ARRI Daylight      Compact Theater

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

The L-Series is the first LED fixture to truly incorporate the Fresnel characteristics of continuous focusability from spot to flood and a smooth, homogenous light field.

The L-Series takes full advantage of LED technology and allows for complete control over the color and intensity of light. Light emitted from the L-Series is specifically calibrated for optimal reproduction on broadcast and digital cinema cameras, ensuring pleasing skin tones and vividly rendered colors. Constructed to be robust and ergonomic, the L-Series meets the quality and design standard for which ARRI is known.

At the heart of the L-Series are a few core concepts: tuneability, color fidelity, high build quality and ease of use. Three simple knobs permit the brightness, color temperature and green/magenta point to be fine-tuned, while a focus knob on the side of each fixture allows for smooth adjustment of the beam spread, just like conventional sources.

The L-Series is available in different models. You can view them clicking on the links below:

L5-C          L7-C          L10-C

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

Orbiter is an ultra-bright, tunable, and directional LED fixture from ARRI. All systems in Orbiter are completely new and designed with versatility in mind.

Download Orbiter Configuration Guide

View all available Orbiter accessories (Optics, Domes, Softboxes, Lamphead and Light Control, etc.)

Changeable Optics

Changeable optics is the core innovation in Orbiter. With a wide variety of optics to choose from, Orbiter transforms into the perfect light for your application without sacrificing beam, output, or color quality. The Quick Lighting Mount (QLM) in Orbiter allows for optics with vastly different properties to be connected to the fixture.

Orbiter Fresnel Lens

The Fresnel Lens creates a precise light spot with a soft single shadow. It delivers true Fresnel output with a real Gaussian field of light. The large zoom range of 15 to 65° is fully motorized and allows control locally or remotely. A status LED display shows the current zoom angle.

For third-party optics: Orbiter Docking Ring

The world of Orbiter just got even bigger and more flexible with the new Orbiter Docking Ring. This innovative connector allows for third-party optics to be used with the Orbiter. With the Docking Ring, users can apply their already available optics from other manufacturers, alternatively to ARRI optics, on the Orbiter while still benefiting from ARRI lighting quality.

Say hello to ARRI Spectra

The world of Orbiter just got even bigger and more flexible with the new Orbiter Docking Ring. This innovative connector allows for third-party optics to be used with the Orbiter. With the Docking Ring, users can apply their already available optics from other manufacturers, alternatively to ARRI optics, on the Orbiter while still benefiting from ARRI lighting quality.

Six colors light engine
Wide gamut
Ultra-High color rendering
Compact light engine
Color sensor mode