For full specifications of this product please visit the Blackmagic Design site clicking HERE

PRODUCT DETAILS

Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!

KEY FEATURES

Digital Film, Extreme Resolution

URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.

Cinematic Super 35 12K Sensor

The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.

Shoot in 12K, Edit on a Laptop

The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.

Blackmagic RAW Fueled Image Capture

Only Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.

Optimized for Fast Flexible Post Production

Shooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi-threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.

Generation 5 Color Science

Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!

Full Resolution at Higher Frame Rates

URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.

High Band Width Recording

URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS-II SD card recorders, and a SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With "Record RAW on 2 Cards" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS-II SD cards. The SuperSpeed USB-C expansion port on the rear can record to USB-C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps!

Easy to Use Blackmagic OS

With advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!

Revolutionary Lightweight, Portable Design

URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G-SDI in and out, USB-C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!

Interchangeable Lens Mounts

Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!

Built in Precision ND Filters

URSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!

USB-C for Direct Recordingto External Disks

Blackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB-C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB-C 3.1 Gen 2 for a blistering 10 Gb/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!

High Resolution Monitoring and Camera Control

The built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a "heads up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!

Digital Slate for Fast Metadata Entry

URSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!

Full Size, Durable Connections that Work with Standard Cables

URSA Mini Pro features multiple connections such as 12G-SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD-SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi-rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB-C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.

Wireless Bluetooth Camera Control

If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!

Includes DaVinci Resolve Studio

URSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.

Optional Shoulder Mount Kit

URSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!

High Resolution Viewfinder for Accurate Focus

The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!

Blackmagic URSA Mini Recorder

The new Blackmagic URSA Mini Recorder lets you record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.

Compatible with Industry Standard Batteries and Power

URSA Mini Pro includes a 4-pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V-Mount and Gold Mount batteries.

For full specifications of this model and all other Pocket Cameras please visit Blackmagicdesign site clicking HERE

The Blackmagic Pocket Cinema Camera 6K features a Super 35 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD/UHS-II or CFast 2.0 recorders for Blackmagic RAW or ProRes recording as well as a USB-C expansion port for recording externally to disks, plus EF lens mount, built-in microphones, XLR input, full sized HDMI, 3D LUT support, Bluetooth and more.

Camera Features

For complete specifications of this product please visit the Datavideo official site clicking HERE

1080P IP Camera with Streaming Encoder with Stunning Full HD resolution

For full specifications of this model of products please visit the Datavideo site clicking HERE

PRODUCT DETAILS

Stunning Full HD resolution

The PTC-140 features 1/2.8 inch CMOS sensor, 1920x1080px Full HD resolution

KEY FEATURES

Simultaneous Outputs 

Connect your PTC-140 to multiple devices in your workflow for flexibility. All the outputs are active at the same time.

20x Optical Zoom, 10x Digital Zoom
The PTC-140's 20x optical zoom and 10x digital zoom allows you to mount it near or far and still get great, sharp shots.

Advanced 2D/3D noise reduction function
Supports advanced digital noise reduction, even in less-than-perfect lighting conditions can shoot clear and smooth image.

Wide 54° Field of View
PTC-140 provides a wide Field of View of 54°, easily shooting all the scenes in the field.



H.264/H.265 video compression for streaming
With built-in streaming encoder, can encode up to 2 simultaneous streams to any cloud service.

Simple multi-camera control at your fingertips
With its ergonomic joystick and tactile button layout, the RMC-180 makes it easy to set up and control up to four Datavideo PTC-140 cameras for any live video production.



RMC-300A can control up to 24 PTC-140 cameras
Designed to control up to 24 PTC-140 cameras, with preset memory for easy camera control. Able to control up to 24 Datavideo PTC-140 cameras simultaneously, 7 presets for each camera to operate with RGB backlit buttons.



Remote control and preview by web user interface



FREE PTZ View Assist APP
Control up to four cameras with your Wireless Touch Screen. It can monitor the live streaming video from PTC-140 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus, and IRIS.

For complete specifications of this product please visit the Datavideo official site clicking HERE

One-person camera crew

For complete specifications of this product please visit the Datavideo official site clicking HERE

PTC-280 Brand New 4K PTZ Camera

For complete specifications of this product please visit the Datavideo official site clicking HERE

PTC-300 Brand New 4K PTZ Camera

PRODUCT DETAILS:

The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.

The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.

The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. 

MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.

From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.

The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.

The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.

From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.

The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.

The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.

Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.

In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.

The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.

MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.

The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.

Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. 

MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. 

Whether small creation or large production can be handled easily with MAVO Edge 6K. 

CMOS IMAGING SENSOR

6K 3:2 Full Frame CMOS Imaging Sensor

Max Record Resolution: 6016×3984 (Open gate 3:2), 24M

Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K

Active Area: Wide 36x24mm, ø 43.3mm

Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)

Latitude: >14 stops

Shutter Angle: 0.7°~358° with rolling shutter

Lens Mount: Omni Native KineMOUNT,
                     Short FFD Adapters: PL/LPL/Active EF/passive EOLPF with UV and IR-cut filter

ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4

CODECS, LUT

Record Codec

LUT

Record Media

KineLOG3, Neutral(Rec 709), Support Custom 3D LUT

Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)

KineMAG Nano Size

1.6×3.5×0.35”/40x88x9mm (WxHxL)

RESOLUTION, FRAME RATE and OPTICAL FORMAT

Full Frame

S35

Other Cropping

MONITORING

Proprietary Video Port x2

SDI x2

For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen

3G/1.5G SDI x2 with Meta data (regular BNC)

AUDIO IN AND OUT

Linear PCM, 24bits, 48KHz

Built-in Mono Microphone

3.5mm Microphone Jack

48V Phantom-power Balanced Input x2 (regular XLR)

3.5mm Headphone Jack

Wireless & Network

Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer

WIFI 5 for live stream, camera control

3-axis accelerometer

SYNC AND CONTROL

Linear TC In&Out (0B5P)

Lens with RS232, Power output (0B6P)

SYNC with RS232 and Kinefinity camera sync(0B7P)

Rec trigger input with Power output (fisher 3P)

Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)

Type-C USB x1, can be used for firmware updates and importing custom LUTs

POWER IN AND OUT

29W, when 6K HD 25p, liveview

Integrated V-mount battery plate, V-mount battery or BP-U compatible

DC Input (1B2P), 11~26V

UPS EXT 3(for pogo-pin, 2×5 contacts)

D-tap x1, Vbat @3A; Vbat as DC in or BAT in

RS x1, Vbat @3A (Shared with D-tap)

Lens x1, Vbat @3A

CONSTRUCTION AND SIZE

Ultra-high Strength Aircraft Aluminium

3.5lb/1.6kg

4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)

0°C ~ 40°C

PRODUCT DETAILS

The MAVO Edge 8K is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes4444/XQ up to 8K to the MAVO Edge as an in-camera codec to make the workflow easier.

The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically.

MAVO Edge can directly record Apple’s ProRes4444/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. Aside from this, MAVO Edge also supports in-camera ProRes4444/XQ and ProRes422HQ.

Recognized by Hollywood’s filmmaking industry, ProRes is an universal intermediate codec led by Apple Inc., delivers the flexibility of video with the incredible performance of ProRes in a format ideal for high-dynamic-range (HDR) content creation. For now, ProRes can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on.

The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution.

MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports: dual XLR ports for Phantom-powered 48V MIC, dual 1.5G/3G-SDI monitoring outputs with metadata and audio embedded, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port, and 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly.

New-designed KineKIT Edge includes innovative baseplate, more compact EVF bracket, much stable Top Handgrip and new Side Support, which are flexible for MAVO Edge to use in different scenarios.

Movcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. New-designed KineKIT from Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for MAVO Edge.

SPECIFICATIONS:

For full product specifications click HERE

PRODUCT DETAILS:

Combining a high-performance processor with the same full-frame 3:2 CMOS image sensor found in the MAVO Edge 6K, the MAVO mark2 6K LF Digital Cinema Camera from Kinefinity offers high 6K frame rates up to 96 fps, detailed highlights, organic images, and outstanding low-light performance with dual native 800/5120 ISOs. Use the included, adaptable KineMOUNT and separately available adapters to provide compatibility with EF, PL, and LPL mounts and Kinefinity's new active PL and Sony E-mount adapters.

MAVO mark2 adopts the MAVO Edge high-performance computing platform, integrates industry standard ports like independent dual SDI outputs with meta data and encodes stunning images as Apple ProRes4444/XQ footage onto NVMe M.2 2280 SSD. Coming in the lightweight compact camera body with the streamlined workflow, MAVO mark2 S35 and MAVO mark2 LF provide more cinematographers with a professional and efficient filmmaking experience at a more affordable price.

Back to classic S35 image format, MAVO mark2 S35 is designed to cater to use S35 glass, widely available, more styles even more affordable than full frame counterparts.

Building on the advanced computing platform, the new camera configures a new S35 3:2 CMOS imaging sensor which allows users to capture up to 6K Wide 96fps, 4K Wide 150fps. The new sensor also features dual native ISO 800/3200 like MAVO Edge 8K, that means the images from the new camera much less noise than previous generation. MAVO mark2 S35 with new S35 sensor on advanced platform offers cleaner shadows, better highlight details, wide latitude to 14 stops and higher frame rate no matter low light conditions or studio shooting.

The MAVO mark2 LF continues to feature the remarkable 6K full frame 3:2 CMOS imaging sensor from the popular MAVO Edge 6K, maintaining high frame rate of up to 75fps at 6K Wide, 150fps at 4K Wide and amazing dual native ISO 5120/800. The industry-standard ISO 800 is regular for shooting in normal light scenes, while the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. Compared to MAVO LF, MAVO mark2 is capable to retain more highlight details, ideal for shooting in complex lighting environments, presenting organic images and cinematic look.

MAVO mark2 offers more comprehensive lens options by introduction of new mount, embracing the broader and more modern lenses with its interchangeable mount design. It can work smoothly with virtually all cine PL/LPL lens, DLSR EF lens and modern E mount lens, capturing images with more diversified styles.

Native KineMOUNT: The first cinema camera KineRAW-S35 launched by KINEFINITY in 2012 was equipped with the short flange distance native KineMOUNT. KineMOUNT is very convenient for switching mount adapters including EF, PL and LPL adapters without tools.

In addition to keeping the exclusive native KineMOUNT, MAVO mark2 provides two new lens mounts: the Active PL Mount and Active E Mount. Users can install and detach the active mounts without extra flange distance calibration. 

Active PL Mount: The reliable cine-style locking mechnism enables the active PL mount to connect the lens with the camera toughly. It supports the Cooke/i protocol, and can saves them into the clip, bringing intuitive interaction on set and flexibility in post.

Active E Mount: MAVO mark2 with the Active E Mount can support most of modern and lightweight E lenses instantly. It allows users to tune the iris, focal length and focus of these electronic E lenses in camera control or manually, also the lens optical stabilization can be activated if the lens has the option.

Apple ProRes4444 Recording

MAVO mark2 has the powerful capability of directly recording high-quality clips in camera from Apple ProRes 422 LT to ProRes 4444XQ. The advanced architecture allows the MAVO mark2 to record ProRes4444XQ format and and records Kine LOG3 Gamma to preserve all the dynamic range data captured by its CMOS image sensor,  achieving fast post-production workflow.

Safe and Flexible Recording Media

The SSD slot of MAVO mark2 is based on PCIe, and the recommended recording media is the proprietary KineMAG Nano 1TB/2TB based on NVMe M.2 2280 SSD. KineMAG Nano SSD has two superior safety features: Read-only and RAID 5. It improves the safeness of the KineMAG Nano while copying or writing to the SSD at blazing fast speed in camera. With a universal USB-C port, KineMAG Nano allows offloading data to the workstation at a speed of up to 10Gbps.

Integrated Body Design: MAVO mark2 inherits the integrated body design of MAVO Edge camera which has won the prestigious iF DESIGN AWARD 2021. The compact camera body only weighs 1.35kg(2.98lbs), equipping with a host of general control ports, dual SDI outputs embedded metadata and audio, and high-quality multi-channel audio recording.

Comprehensive Power Solution: The MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports 14.8V V-mount batteries like KineBAT PD 75w/150w. It also supports BP-U type batteries like GripBAT 4S to meet the power demand of complicated camera setups that require a light build. With the addition of Movcam’s cage, the KineKit-Edge, NP-F550 type batteries like GripBAT 2S can support an Uninterruptible power supply to the camera via the UPS Baseplate.

PRODUCT SPECIFICATIONS:

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